My Biggest Regret in Music

There are plenty of things I regret in music. I regret not safely backing up the original stems and early project files for some of the music I’ve released. I also should have taken more notes throughout the late 2000s and early 2010s of those recording sessions and even the guitar tabs and musical notations.

But my biggest regret? The first thing I ever released.

Why would I cringe at the thought of the first major worldwide release? One that charted in Mexico on the iTunes charts? One that had backing from a serious record label and studio?

Because it wasn’t what I wanted to do. 

The music was composed, and the lyrics were written by yours truly, but the overall release was tainted by a small number of people – – friends – – who wanted me to be a success. With silly amounts of pitch correction and oversampling, I had sold out before I’d even attempted to hit the mainstream.

The album failed (thankfully) and although there are still some links out there on the internet, the distribution ceased, and it has been deleted from all publishers.

The worst part was whenever I performed the songs live, I replaced the crappy synthesised instruments with my real playing and I used my real voice. People would compliment me and say they appreciated the fact that I’m not some fantastic singer and that I was not afraid to have flaws during my performances. I certainly don’t think I have a good singing voice, but I refuse to try and disguise it as radio-friendly and as slick as some voices are (or at least portray)

I escaped my solo stage name and began Cursed Legacy. Death of a Hero was everything I had ever wanted to release, and it was 100% independent. It was all me, the way I wanted it. I refused to work with others who would sway my production into their own. Lunar Isolation has been a huge challenge and bringing in a whole new band and producer was worth it as I finally had people in my musical life I could trust with the project, so I could step back and work on my own music elsewhere.

Life is a Terminal Illness is the best thing I’ve ever done by myself and I refuse to sell out. The album doesn’t have fancy studio work or shiny production and that’s because it is real. I wrote, performed and recorded it without the influence of those trying to make me something I’m not. I am very protective of my work. The album was mastered by a well-respected engineer in America. The dynamic range was decent, and the album sounded okay, but I opted not to use the master for the final release as I wanted the album to be represented as exactly how I recorded and mixed it. I broke the number one rule for mastering: don’t master yourself, get an independent set of ears to master it.

Don’t be a musician unless you will ensure it will always be YOUR music the way YOU want it.  

 

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